"Entertainment law," Nathan said as he passed that week's handouts around, "focuses on law as it applies to movies, television, music - if it entertains you, there's a lawyer involved somewhere in it. If said lawyer is lucky enough to be with the right performer or studio, there's a nice chunk of change to be made here. If that's the sort of thing you're into."

Nathan leaned against the front of his desk. "Entertainment Law is big news at the moment thanks to a little thing you may have heard of called the WGA strike. This is contract law at its most nitty-gritty, with both sides bringing out their biggest guns to try to get the best agreement.

"That's where you come in," Nathan said. "Pair up. One of you gets to represent the studios. The other the writers. Try to figure out a deal that both of you can live with so the strike can be brought to a close. Who knows? Come up with a good enough idea and maybe we'll send it on to Hollywood. Wouldn't be the first time a bunch of school kids were smarter than the networks."

[ooc: OCD a-coming is up!]